The canary that McTeague so desperately cares for takes the
place of his trophy wife that he was looking for when he married Trina. He
believed that Trina, along with her five thousand dollars, would provide a
sense of security like the security he once experienced during his time in the
mines with a canary. To McTeague, the canary signifies security, because as a
young boy working in the mines, as long as the bird was singing, there was no
deadly gas in the mine. Norris compares the canary to Trina, yet McTeauge
admires the caged bird because it does not act up and causes little to no
stress on him. Trina, on the other hand, refuses to give McTeague money, or
security, forcing him to live in a cage of his own. At the very end of the
novel, Norris shows how McTeague has started to embody the same qualities of
the canary. In his fight with Marcus in the middle of the desert, the two men
fall over the dead mule, and “the little bird cage broke from the saddle with
the violence of their fall, and rolled out upon the ground” (Norris, 243). After
McTeague has killed Marcus, he realizes that in his last action before death,
Marcus has handcuffed the two of them together. McTeague is described as “stupidly
looking around him, now at the distant horizon, now at the ground, now at the
half-dead canary chittering feebly in its little gilt prison” (243). McTeague,
like the canary, is trapped out in the open, with his own world destroyed, left
dying in the desert. When the canary’s prison is destroyed, McTeague’s prison
becomes are reality.
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