Arcangel spent time predicting the end of the world and
oncoming doom, though was unable to pinpoint a specific date, because “perhaps
there were a series of small dooms in consecutive fifty-two-year cycles.”
(48-9) I found this scene to be poignant, partly because of recent events and
also because of how disconnected it seems from the rest of the Monday
section. All of the previous
scenes depicts snapshots of everyday life, but Arcangel is different because he
has a mystical and seemingly timeless presence, he has performed for countless
historical and literary figures, and adapts various personas. Yet, despite the ordinariness of the
scenes we see with Rafaela and Bobby and Gabriel, the talk about the world
ending gives them more importance.
Also, it kind of reminds me of the discussions on the loss of the West
that we’ve had on other novels. In
those cases, it is losing an imaginary space and way of life, but that connects
in my mind to the idea of the world ending, because ordinary life continues
even when things are lost. Things
that are happening are immediate for the people involved, but because it is a
constant threat of cycling dooms, Arcangel’s predications just seem to echo the
loss of space that we’ve seen, especially because they all relate back to “discoveries”
in the Americas.
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